National museum of in Ravenna

National Museum of Ravenna

Museo Nazionale di Ravenna
10,000 ITEMS
20,577 VISITORS (2022)
No WI-FI
2h EXPLORATION

Tucked away in the serene cloisters of the former Benedictine monastery of San Vitale, the National Museum of Ravenna is a captivating portal into the city's complex history. It serves as a quiet companion to the world-renowned mosaic sites, inviting visitors to wander through a curated collection that ranges from delicate Roman era ivories to imposing medieval armour. The museum holds a unique charm, blending the peaceful atmosphere of its monastic home with a vast array of artefacts that whisper stories of the people who shaped Ravenna across the centuries. Whether you are intrigued by the intricate craft of Byzantine capitals or the everyday life captured on an ancient funerary stele, this place offers a profound connection to the past. It is a worthwhile destination for those who wish to see beyond the famous church walls and appreciate the artistic and cultural tapestry that defines this city.

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History of National Museum of Ravenna

The story of the National Museum of Ravenna begins with the intellectual curiosity of the Camaldolese monks of Classe. Figures like Pietro Canneti spent their lives curating an eclectic assemblage of art, antiquity, and natural history that became the foundation for the collection. After the suppression of religious orders in the late 18th century, these treasures passed to the local municipality, which formally established the Museo Classense Municipale in 1804. This was a pivotal moment when the city began to recognise the immense value of its own buried history, actively gathering scattered archaeological finds from the surrounding countryside to preserve them for future generations. By the late 19th century, the museum entered a period of transformation and expansion. The sculptor Enrico Pazzi played a critical role in reorganising the collections, giving them a more coherent structure while they were housed in the church of San Romualdo. However, the true turning point occurred in 1913, when the institution found its permanent home within the historic cloisters of the Benedictine monastery of San Vitale. This transition was significant, as it married the city's archaeological treasures with one of its most evocative and spiritually resonant architectural settings. Today, the museum stands as a living record of Ravenna’s evolution, preserving everything from the skilled craftsmanship of early medieval ivory carvers to the defensive ingenuity of Renaissance armourers. By keeping these objects within the former abbey, the institution maintains a tangible sense of place that makes history feel immediate. It continues to connect modern visitors with the diverse peoples and eras that have called this city home, ensuring that the legacy of those early Camaldolese collectors lives on in a vibrant and accessible form.

Events spanning 120 years

YEAR 1804

The Monastic Origins

The museum roots can be traced back to the scholarly collection formed by the Camaldolese monks of Classe, who gathered antiquities with great dedication.

YEAR 1804

Establishment of the Municipal Museum

Following the suppression of religious orders, the collection was formalised as the Museo Classense Municipale, securing the future of these precious artefacts.

YEAR 1887

Becoming a State Museum

The museum transitioned into a state institution, ensuring national protection and resources for its growing collection of antiquities.

YEAR 1913

Relocation to San Vitale

The institution moved into the historic cloisters of the Benedictine monastery of San Vitale, providing a permanent and architecturally significant home for the collection.

YEAR 1924

The Armoury Expansion

The local Academy of Fine Arts deposited a significant collection of arms and armour, vastly expanding the museum's defensive and military displays.

Fun Facts

  • A 13th century bronze aquamanile shaped like a quadruped, which originated in northern Germany, demonstrates the far reaching influences on the museum's holdings.
  • Among the lapidary collection is the funerary stele of Publio Longidieno, which provides a rare and vivid look at a carpenter for the Roman fleet depicted holding his own tools.
  • The apotheosis of Augustus, a monumental fragment of an altar dating back to the mid 1st century, serves as a significant highlight of the sculptural collection.
  • The collection includes the famous Dittico di Murano, a 6th century ivory evangeliary cover created in Egypt that stands as a masterpiece of early Christian art.
  • The institution houses a beautifully decorated, large Faentine jug that depicts the adoration of the shepherds on the front and a scene of Hercules battling the Nemean lion on the back.
  • The museum holds a rare Ottoman leather canteen, showcasing the diverse international trade connections that once influenced the region.
  • The museum is housed within the ancient Benedictine monastery of San Vitale, allowing visitors to walk through historic cloisters while exploring the exhibits.
  • The museum preserves nearly two hundred Cretan Venetian panels, illustrating the fascinating artistic fusion between Eastern and Italian traditions from the 15th to the 17th centuries.

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