The house of the stone carpets in Ravenna

House of the Stone Carpets

Domus dei Tappeti di Pietra
13 ITEMS
37,982 VISITORS (2022)
Free WI-FI
1h EXPLORATION

Hidden beneath the streets of modern Ravenna lies a spectacular secret waiting to be unveiled. The Domus dei Tappeti di Pietra offers an intimate glimpse into a bygone era, where fifth century Byzantine artistry remains remarkably preserved beneath the Church of Sant'Eufemia. As you descend, you are greeted by intricate stone carpets that once adorned a lavish private residence, showcasing vibrant geometric patterns and rare figurative scenes. The site is a testament to the city's rich archaeological heritage, offering a quiet, contemplative escape from the city above. It is a rare opportunity to witness ancient history that was nearly lost to a simple construction project.

History of House of the Stone Carpets

In 1993, the future of this site seemed destined for nothing more than a functional underground garage. Workers breaking ground near via D'Azeglio struck a legacy of imperial splendour instead of dirt. The discovery of the Domus dei Tappeti di Pietra completely altered our understanding of Roman Ravenna, revealing that beneath the modern urban fabric lay a sophisticated, opulent private residence from the fifth or sixth century. It was a moment of pure serendipity that gifted the city one of its most cherished treasures. The true magic lies within the mosaics themselves, which are far more than mere floor coverings. They served as a visual language for the elite, blending pagan and Christian themes seamlessly. The Dance of the Genii of the Four Seasons is a standout piece, representing a rare moment where Roman mythology dances with early Christian sensibilities. The Good Shepherd, depicted with a youthful face and a distinctive azure tunic, offers a contrast to traditional iconography, showcasing the evolving artistic spirit of the era. Today, the site functions as a profound bridge between the past and present. Preserved under the Church of Sant'Eufemia, the house allows visitors to step directly into the living spaces of antiquity. Its official inauguration in 2002 by President Carlo Azeglio Ciampi cemented its status as a cornerstone of Ravenna's cultural identity. It stands as a reminder that history is not always contained in ruins above ground, but often sleeps silently beneath our feet, waiting for the right moment to share its story.

Events spanning 11 years

YEAR 1993

The Accidental Discovery

While workers were excavating ground for a new underground garage, they accidentally struck the ancient mosaic floors, leading to an immediate halt in construction and the start of a major archaeological effort.

YEAR 2002

Official Inauguration

President Carlo Azeglio Ciampi officially inaugurated the site during celebrations marking 1600 years of Ravenna as the capital of the Western Roman Empire.

YEAR 2004

Awarded for Excellence

The site received the prestigious Premio Bell'Italia award, which recognises excellence in the preservation and promotion of Italian historical heritage.

Fun Facts

  • Excavations revealed that the residence underwent various structural modifications over its lifetime before eventually falling into disuse.
  • The 'Dance of the Genii of the Four Seasons' is considered a globally rare example of mythological figures dancing in a circle.
  • The church above, Sant'Eufemia, was built centuries later, effectively serving as a guardian for the treasures buried beneath its foundation.
  • The domus dates back to the fifth and sixth centuries, a pivotal era when Ravenna served as a critical hub of the Byzantine Empire.
  • The mosaics are located approximately three metres below the current street level, having been protected by the layers of earth above.
  • The name Stone Carpets refers to the intricate, carpet like quality of the floor mosaics that decorated the wealthy residence.
  • The preservation quality of the mosaics is exceptionally high, allowing visitors to appreciate the original colours and fine craftsmanship of Byzantine artists.
  • The site contains an impressive 700 square metres of mosaics featuring geometric, floral, and figurative designs.
  • The site provides evidence of how private homes in late antiquity combined aesthetic luxury with domestic functionality.
  • Unlike traditional depictions of the period, the Good Shepherd mosaic features a remarkably youthful figure with short hair and an azure tunic.

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