The Casino garden pavilion at Vizcaya Museum and Gardens in Miami, Florida, featuring classical Italian Renaissance-style architecture, stone arches and statues surrounded by lush tropical greenery

Vizcaya Museum and Gardens

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1914 FOUNDED
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112 YEARS OLD
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3h EXPLORATION

Stepping onto the East Terrace of this Gilded Age estate, your eyes immediately lock onto the breakwater. It is carved out of local oolitic limestone into the shape of a massive, half-sunken Venetian barge. James Deering built this winter retreat in the 1910s to look as though an Italian aristocratic family had inhabited Biscayne Bay for four centuries, and he largely succeeded. Inside the Main House, Renaissance tapestries and Roman antiquities sit alongside early twentieth-century luxuries like a central vacuum system and an automated telephone exchange. Moving outside, the thick humidity of the subtropical afternoon wraps around you the moment you leave the air-conditioned loggia, though the dense shade of the native mangrove forest provides quick relief. You can easily spend hours tracing the geometric patterns of the formal gardens, passing coral-rock grottos and climbing the stone steps of the Mound pavilion. Down by the water, striped mooring poles cast long, rippling shadows across the bay as the afternoon sun catches the glazed roof tiles of the tea house.

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History of Vizcaya Museum and Gardens

Industrialist James Deering was ordered by his doctors to find a warmer climate for his deteriorating health, and his solution was to construct a sprawling Mediterranean fantasy on the edge of Biscayne Bay. Rather than hiring a traditional architect to lead the project in 1914, Deering entrusted the entire vision to Paul Chalfin, a former painter and art curator with theatrical tastes and zero architectural qualifications. The two men travelled across Europe buying up entire ceilings, fireplaces, and wrought-iron gates from neglected Italian villas. They shipped these salvaged treasures back to Florida to form the puzzle pieces of a completely new estate. Chalfin and Deering wanted the property to feel like a generational family seat that had evolved over centuries, rather than a fresh construction in a dense mangrove swamp. To anchor this illusion, landscape architect Diego Suarez spent months figuring out how to merge classic Italian formal gardens with a flat, subtropical jungle. Suarez eventually hit upon the idea of building artificial mounds and using native oolitic limestone, which gave the structures an instantly weathered, porous look. An army of Bahamian stonemasons and local labourers spent eight years cutting the coral rock and hauling Deering's imported treasures through the heat. Deering only enjoyed his completed winter refuge for a few short years before dying on a ship returning from Europe in 1925. The following year, the Great Miami Hurricane swept violently through the estate, submerging the formal gardens and badly damaging the Venetian barge breakwater. Deering's nieces inherited the property and managed to repair the grounds, though the mounting costs of maintaining such an enormous estate eventually led them to sell the surrounding land and transfer the main house to Miami-Dade County in 1952. Today, the estate remains entirely surrounded by encroaching urban development, operating as an autonomous bubble of the 1910s. The sea wall still takes a battering during storm seasons, requiring constant conservation to stop the saltwater from eroding the Italian marble. In the music room, a Neapolitan rococo cabinet holds its position just yards from the subtropical waterline, completely unbothered by the century of wild weather that has passed outside the windows.

8 events spanning 105 years

YEAR 1912

Purchasing the Swamp

James Deering formally purchases 180 acres of shoreline mangrove swamps and dense tropical hammocks to serve as the site for his winter retreat.

YEAR 1914

Breaking Ground

Construction begins on the main house, requiring hundreds of Bahamian stonemasons to clear the jungle and carve the local oolitic limestone.

YEAR 1916

A Christmas Arrival

Deering arrives at the estate on Christmas Day, officially taking up residence in the largely completed main house while work continues on the gardens.

YEAR 1926

The Great Miami Hurricane

A massive hurricane inundates the property, submerging the formal gardens under saltwater and causing severe structural damage to the stone barge.

YEAR 1952

Public Transfer

After decades of mounting maintenance costs, Deering's heirs transfer the main house and formal gardens to Miami-Dade County for public use.

YEAR 1987

A Papal Visit

President Ronald Reagan welcomes Pope John Paul II to the estate during the pontiff's highly publicised tour of the United States.

YEAR 1994

Summit of the Americas

President Bill Clinton uses the historic dining room to host thirty-four global leaders for the inaugural Summit of the Americas.

YEAR 2017

Hurricane Irma Strikes

Hurricane Irma brings a massive storm surge into Biscayne Bay, flooding the basement level and requiring millions of dollars in conservation work.

Fun Facts

  • • Artistic director Paul Chalfin systematically erased the main architect, F. Burrall Hoffman, from early publications about the estate, leading to a bitter feud over who actually designed the house.
  • • During the Prohibition era, James Deering hid his extensive wine and liquor collection in a secret, reinforced vault hidden beneath the main staircase to protect it from federal agents and opportunistic thieves.
  • • The estate functioned as a completely self-sufficient village, complete with its own dairy herd, poultry house, greenhouse, and a mule stable to support the massive staff required to run the property.
  • • The estate possessed the first automated telephone exchange in Miami, alongside early electric elevators and a massive pipe organ built directly into the walls of the banqueting hall.
  • • The famous stone barge in the bay was sculpted by Alexander Stirling Calder, who carved mythical Caribbean sea creatures into the local limestone to act as a decorative breakwater against the choppy waters.
  • • The swimming pool is partially built into a vaulted, coral-rock grotto directly beneath the house, designed with ceiling fissures that allow natural sunlight to dapple the water like a hidden sea cave.
  • • To counter the harsh afternoon glare reflecting off Biscayne Bay, landscape architect Diego Suarez designed the formal gardens in a fan shape, manipulating the perspective to draw the eye toward the shady, artificial mounds.
  • • To create an instantly aged appearance for the main house, Deering purchased thousands of faded, mismatched Cuban roof tiles from demolished buildings in Havana and shipped them across the Florida Straits.

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