Capitoline museums in Rome

Capitoline Museums

Musei Capitolini
1471 FOUNDED
555 YEARS OLD
6,756 ITEMS
20 EUR
411,217 VISITORS (2022)
Free WI-FI
3h EXPLORATION

Perched atop the legendary Capitoline Hill, this extraordinary museum complex offers an immersive journey through the heart of Roman identity. As the oldest public museum in the world, it provides a unique atmosphere where history feels tangible and accessible to everyone. Visitors can explore the magnificent Palazzo dei Conservatori and Palazzo Nuovo, which are themselves architectural masterpieces designed by Michelangelo. The collection features iconic symbols like the original bronze Capitoline Wolf and the colossal head of Constantine, offering a visual feast of ancient grandeur. Beyond the marble statues, the underground passage through the Tabularium provides a spectacular vista of the Roman Forum. Visiting here is a profound experience that connects you directly to the foundations of Western civilisation and the spirit of the Eternal City.

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History of Capitoline Museums

The story of the Capitoline Museums began in 1471 when Pope Sixtus IV handed a collection of ancient bronzes back to the Roman people. This was a symbolic gesture of immense weight, as it shifted the ownership of history from the church to the citizens. Among these first treasures was the legendary She Wolf, which eventually became the undisputed icon of the city. This act effectively created the first public collection in the world, turning the Capitoline Hill into a living classroom for the ages. In the sixteenth century, the museum underwent a physical transformation that redefined its grandeur. Michelangelo was commissioned to redesign the entire square, creating the symmetrical trapezoid of the Piazza del Campidoglio. He designed the facades of the Palazzo dei Conservatori and the Palazzo Nuovo to face each other across the piazza, harmonising the ancient and the modern. Although he passed away before its completion, his blueprint ensured that the buildings themselves became as famous as the masterpieces they protected. The architecture remains a testament to the belief that art should be displayed in a setting of equal beauty. By the eighteenth century, the museums reached their final form as a truly public institution. Pope Clement XII opened the doors to the general public in 1734, pioneering the radical idea that cultural heritage belonged to all of humanity rather than a select elite. Despite the trials of the Napoleonic occupation, which saw many of the best works hauled away to France, the museums' identity remained strong. Most of those stolen treasures eventually found their way back to the hill, reinforcing the museum's role as the guardian of Rome’s eternal legacy.

Events spanning 534 years

YEAR 1471

A Revolutionary Gift of Art

Pope Sixtus IV donates a collection of foundational bronze sculptures, including the She-Wolf and the Spinario, to the people of Rome.

YEAR 1536

Michelangelo’s Renaissance Vision

Michelangelo is commissioned to redesign the Piazza del Campidoglio, creating the symmetrical layout and the striking facades of the museums.

YEAR 1734

The Birth of the World’s First Public Museum

Under the direction of Pope Clement XII, the museum officially opens its doors to the public, becoming the first institution of its kind globally.

YEAR 1748

Opening the Art Gallery

Pope Benedict XIV establishes the Pinacoteca Capitolina to house a growing collection of significant Renaissance and Baroque paintings.

YEAR 1816

The Great Return of Stolen Treasures

Following the Napoleonic Wars and the Congress of Vienna, looted masterpieces like the Dying Gaul are successfully returned from the Louvre.

YEAR 1997

Expansion into Centrale Montemartini

The museum expands into a disused industrial power station, creating a stunning contrast between ancient marble and heavy machinery.

YEAR 2005

The Unveiling of the Marcus Aurelius Exedra

A grand new glass enclosure is opened to protect the original bronze equestrian statue of Marcus Aurelius while allowing natural light to flood the space.

Fun Facts

  • Inside the Hall of the Geese, the bronze geese commemorate the sacred birds that saved Rome from a Gallic invasion in 390 BC by alerting the guards.
  • Palazzo Nuovo is filled with original 17th-century wood and gilded stucco decorations that have remained largely unchanged for centuries.
  • The Capitoline Museums are widely recognised as the oldest public museum in the world, preceding the British Museum and the Louvre by decades.
  • The Dying Gaul was once so famous it was one of the primary targets for Napoleon’s art commissioners to seize and take to Paris.
  • The Pinacoteca contains the celebrated painting The Fortune Teller by Caravaggio, showing a subtle moment of trickery and charm.
  • The Tabularium section offers a balcony view that is arguably the best and most comprehensive perspective of the Roman Forum available today.
  • The bronze horse found in Vicolo delle Palme is a rare example of a large ancient bronze sculpture found during archaeological excavations in the city.
  • The colossal marble head of Constantine seen in the courtyard belonged to a statue that would have stood over 12 metres tall.
  • The equestrian statue of Marcus Aurelius survived the Middle Ages only because people mistakenly believed it depicted the Christian Emperor Constantine.
  • The legendary bronze She Wolf was originally missing the twins Romulus and Remus; they were added in the 15th century by Antonio del Pollaiolo.
  • The museum sits directly on top of the massive stone foundations of the Temple of Jupiter Optimus Maximus, once the most important temple in Rome.
  • The museum’s collection of Roman portrait busts is so complete that historians can track the evolution of hairstyles and beard fashions over five centuries.
  • The underground passage known as the Galleria Lapidaria allows visitors to walk beneath the city’s administrative centre while viewing hundreds of ancient inscriptions.

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