Basilica of sant'apollinare nuovo in Ravenna

Basilica of Sant'Apollinare Nuovo

Basilica di Sant'Apollinare Nuovo
505 FOUNDED
1521 YEARS OLD
415,000 VISITORS (2022)
2h EXPLORATION

This UNESCO World Heritage site is a breathtaking testament to Ravenna's golden age. Step inside to witness some of the world's finest late antique mosaics, which line the upper walls with stunning detail and vibrant colours. Built originally as the palace church for the Ostrogoth King Theodoric, the basilica underwent significant changes to align with later religious shifts, creating a unique historical tapestry. Its simple brick exterior hides an interior of unmatched artistic splendour that has captivated visitors for over a millennium. Spending time here allows you to immerse yourself in the transition between cultures, where every wall tells a story of faith and power. It is an essential stop for anyone wanting to feel the true artistic heart of Ravenna.

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History of Basilica of Sant'Apollinare Nuovo

King Theodoric the Great established the basilica in 505 as his own private palace church for the Arian faith. It served as a grand display of power for the Ostrogoth reign in Italy, featuring lavish mosaics that reflected the religious beliefs of the royal family. The design integrated the building seamlessly with the surrounding palace grounds, marking it as the centre of royal spiritual life. The mid 6th century brought a massive political shift. When the Byzantine Empire conquered the region, officials initiated a campaign to purge the city of Arian influence. Bishop Agnellus spearheaded the transformation of this church, scrubbing away the original images of the Gothic king and his court from the walls. In their place, artists created new orthodox icons, including the famous processions of saints and virgins that we admire today. This dramatic erasure turned the palace church of a barbarian king into a glorious centre of Roman Catholic devotion. Over the centuries, the building evolved, becoming a repository for sacred relics and a focal point for the city. It survived wars and political upheaval, remaining one of the most significant examples of Early Christian architecture globally. Today, the basilica stands as a quiet witness to the complex layers of history in Ravenna, inviting visitors to look beyond the surface of its golden mosaics to understand the centuries of change that shaped them.

Events spanning 1491 years

YEAR 505

A Royal Foundation

King Theodoric the Great commissions the building of the basilica to serve as his private palace church for the Arian faith.

YEAR 540

A Shift in Faith

Following the Byzantine conquest of Ravenna, the church is re-consecrated as a Catholic house of worship, and many original mosaics are modified.

YEAR 856

Arrival of the Saint

The relics of Saint Apollinaris are brought to the basilica after the original sanctuary at the port is attacked.

YEAR 1996

UNESCO Heritage Status

The basilica receives official recognition as a UNESCO World Heritage site, cementing its status as an invaluable historical landmark.

Fun Facts

  • It contains one of the oldest cycles of New Testament mosaics in existence, providing incredible insight into early artistic representations of Christ.
  • It is one of the only places where visitors can see a depiction of the old port of Classe, which was a vital maritime hub in antiquity.
  • Many of the columns inside are made from Proconnesian marble, imported all the way from the island of Marmara.
  • The basilica was once dedicated to Saint Martin of Tours before later being renamed for Saint Apollinaris.
  • The distinctive round bell tower was added between the 9th and 10th centuries and stands 38 metres tall.
  • The mosaic procession of the virgins is inspired by the Council of Ephesus, which established the dogma of the divine motherhood of Mary.
  • The original mosaics were altered to erase images of King Theodoric and his court to align the church with Byzantine orthodox traditions.
  • The three layered bands of mosaics offer a rare look at the artistic evolution within the church over several centuries.
  • The upper walls feature thirteen scenes of the miracles of Christ on the left and thirteen scenes of the Passion on the right.

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