Cathedral in Lucca

Lucca Cathedral

Cattedrale di San Martino
1060 FOUNDED
966 YEARS OLD
2h EXPLORATION

Step into the heart of Lucca and stand before the magnificent Cattedrale di San Martino, a marvel of Pisan Romanesque architecture. Its ornate facade, adorned with intricate sculptures and loggias, tells a story of artistic mastery that draws every visitor's gaze upward. Inside, the cool, serene space houses treasures like the hauntingly beautiful monument to Ilaria del Carretto and the mysterious Volto Santo crucifix. You can spend time tracing the details of the marble intarsia floor or simply soaking in the quiet history preserved within these walls. It remains a testament to the city's enduring spirit, offering a peaceful sanctuary and a deep connection to centuries of craftsmanship.

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History of Lucca Cathedral

The story of San Martino begins in the 6th century, when Saint Frediano is said to have laid its foundations. However, the structure that commands your attention today emerged much later, rising from the efforts of Bishop Anselmo da Baggio in 1060. As Lucca grew in power and influence, serving as a vital stop for pilgrims travelling the Via Francigena, the cathedral became more than a place of worship. It transformed into a symbol of civic pride and an open ledger where the city wrote its history through stone and sculpture. In the early 13th century, a master named Guidetto da Como reshaped the exterior, creating the breathtaking, multi-layered facade that defines Lucca's skyline. He left his mark quite literally, signing the work and dating his contribution to 1204. As the centuries turned, the cathedral mirrored the evolving tastes of the era. The interior shifted towards Gothic forms, with soaring arches and vertical lines, creating an atmosphere that feels both airy and reverent. This evolution was a deliberate layering of artistic brilliance that bridged the gap between medieval tradition and the awakening of the Renaissance. By the 15th century, local sculptor Matteo Civitali turned the cathedral into his personal masterpiece gallery, adding delicate marble works and the exquisite Tempietto that houses the city's most precious relic, the Volto Santo. This wooden crucifix, legendarily carved by Nicodemus, has drawn pilgrims for ages and remains the spiritual anchor of the city. Walking through the nave, you see the convergence of these different eras, from the medieval labyrinth carved into the portico to the opulent Mannerist altars of the late 16th century. It is a living museum, preserved with care, telling the story of a city that managed to blend spiritual devotion with an unwavering pursuit of beauty.

Events spanning 1041 years

YEAR 550

Foundation of the original church

The cathedral is founded, according to tradition, by Saint Frediano on the site of a smaller church at the edge of the Roman city.

YEAR 1070

Consecration of the Romanesque cathedral

Bishop Anselmo da Baggio initiates a complete reconstruction of the cathedral, which is consecrated while he is serving as Pope Alexander II.

YEAR 1204

Completion of the ornate facade

Architect Guidetto da Como signs and dates the completion of the magnificent facade, which introduces the distinctive Pisan Romanesque style to the city.

YEAR 1406

Creation of the Ilaria del Carretto monument

The sculptor Jacopo della Quercia creates the exquisite funerary monument for Ilaria del Carretto, which remains a high point of Italian Renaissance sculpture.

YEAR 1591

Major interior reorganization

Following years of architectural and artistic updates, the nave and altars are systematically reorganized, introducing Mannerist artworks from across Italy.

Fun Facts

  • During the Middle Ages, the cathedral portico served as a commercial hub where money changers assisted pilgrims travelling the Via Francigena, a practice so common that an inscription was carved to warn them against fraud.
  • Matteo Civitali, Lucca's most famous sculptor, left an indelible mark on the interior with his delicate marble works, including the exquisite Tempietto that protects the sacred Volto Santo.
  • The Volto Santo, or Holy Face of Lucca, is a wooden crucifix that legend claims was carved by Nicodemus, an eyewitness to the crucifixion, and miraculously arrived in the city by boat in the 8th century.
  • The bell tower remains a prominent feature of the Lucca skyline, containing seven bells cast in the 13th and 14th centuries.
  • The facade appears distinctly asymmetric because it had to be built around a pre-existing bell tower, forcing the builders to adapt the architecture to the space available.
  • The facade bears the signature of the architect Guidetto da Como, who carved his name and the date 1204 directly into the stone, an act of pride rarely seen so prominently on major cathedrals of that era.
  • The floor contains a large marble inlay depicting the Judgment of Solomon, created in 1475, which highlights the city's long tradition of refined craftsmanship.
  • The portico features a mysterious labyrinth carving on one of its pillars, often interpreted as a symbol of the difficult path to salvation or a link to ancient traditions.
  • The tomb of Ilaria del Carretto, sculpted by Jacopo della Quercia, is widely considered one of the finest examples of Italian Renaissance funerary art, capturing a poignant moment of eternal rest.
  • To celebrate the city's liberation from Pisan rule in 1370, the Lucchese people dedicated an altar to the concept of Liberty within the cathedral, a powerful statement of their newfound independence.

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